a rough guide

for people, who have yet to hear about either project (cs, chs, toos), here is a small, rough & by no means complete guide to my releases which shouldn't be taken too seriously, as categorization can limit perception, but nevertheless can serve to give you some orientation where to start.

if you're interested in...

- minimalism, down to radical-minimalist stuff: 'being' ; 'cupboard'; 'the singing machine', 'golden ether'; 'music for museums', 'new minimalist', 'office music'; 'sine world'; 'electronic works'; ‘the radar society‘; ‘illusion of a movement‘

- ambient and related spherical music: 'simrishamn'; 'golden ether'; 'behind the gates'; 'the singing machine'; ‘the radar society'; parts of 'four crescent figures'; parts of 'music for museums'; parts of 'next to mirror and tealight'; parts of 'memory in the land of evening steel';

- slightly more accessible melancholy song orientation: 'oceanic feeling'; 'sedatives'; 'seven bars of silence'; 'a safety pin'; 'cd-r'; 'seashore'; 'the playground of the world', parts of 'ontic', parts of 'four crescent figures'

- *very* experimental material: 'a deadline for the living'; 'being'; 'cupboard'; ‘the radar society; ‘illusion of a movement‘; parts of 'behind the gates'; 'sine world'; 'electronic works'

- singer/songwriter-oriented objects with a dark edge: 'ontic'; 'sedatives'; 'seems ancient to me'; 'memory in the land of evening steel'; 'escape'

- soundtrack (-like) material: 'music from and about suit-case'; 'simrishamn'; 'behind the gates'; 'music for museums'; ‘the radar society‘; parts of 'four crescent figures'

- swelling balls hard rock played by rough 'n tough sleazy guys with muscle shirts: click here.